Commissioned
8 November 2018

My filmmaking skills include documentary direction, camera, sound recording, green screen, editing, 2D animation, foley and sound design, and I am fluent in Spanish, German and English.

Collaborating and working in teams is always fun and an opportunity to learn from other colleagues’ points of views. At the same time, having a wide range of skills allows me to work in an autonomous way if needed, being able to complete works from development to post-production on my own, which is very useful for smaller productions.

I have worked with different formats such as documentary and fictional films, documentations (conferences, talks, concerts and performances), teasers, music videos, interviews and image films.

If you have any questions or inquiries, don’t hesitate to get in touch at info@ireneizquierdo.com.

This is a selection of audiovisual commissioned works from 2016 to the present:

 
 
 
 
 

to be (un)seen
Documentation and Teaser
Performance by Hyoung-Min Kim
DOCK11, Berlin 2019

Camera
Sound Recordist
Editing

Solo work

 

Body and Belonging
Documentation and Teaser
Dance performance by Anouk Froidevaux
DOCK11, Berlin 2019

Camera
Sound Recordist
Editing

Solo work

 

IN*VISION – Seminar and Festival – utopien. intersektional. erkämpfen.
Documentation and Teaser
Berlin 2019

Direction
Camera
Sound Recordist
Editing
Color Grading

 

Collaboration with Hanna Prenzel

 

 

Die Kepler Schule
Image Film

Berlin 2018

Direction
Camera
Green Screen
Sound Recordist
Editing

Collaboration with Aline Bonvin

IN*VISION – Seminar and Festival – feminismen. intersektional. denken.
Documentation and Teaser
Berlin 2017

Direction
Camera
Sound Recordist
Editing
Color Grading

Solo work

You Can’t Evict a Movement
Music Video
Song by Aphty Khéa
Athens-Berlin 2018

Editing

 

ENSA Conference “School exchange Now & Then – 2030 and beyond”
Event documentation / Interviews / Workshop
Commissioned by the ENSA Programm / Engagement Global gGmbH
Berlin 2018

Direction
Camera
Sound Recordings
Interviews
Editing
Subtitles

Collaboration with Hanna Prenzel

“Wenn aus Überwachung Kunst wird | Aram Bartholl im fluter Porträt”
By Ariana Dongus & Christina zur Nedden
for Fluter.de
Berlin 2018

Camera

Interview with Carmen Mörsch
“Kulturelle Bildung Dekolonisieren”

Commissioned by Diversity Arts Culture / Kulturprojekte Berlin GmbH
Interventionen 2017, Berlin

Camera
Sound Recordist
Editing
Subtitles

Solo work

 

Interview with Vina Yun
“Diskriminierungkritisches Schreiben”

Commissioned by Diversity Arts Culture / Kulturprojekte Berlin GmbH
Interventionen 2017, Berlin

Camera
Sound Recordist
Editing
Subtitles

Solo work


Interview with Nina Mühlemann
“Aus zugewiesenen Räumen ausbrechen – Disability Arts in Grossbritannien”

Commissioned by Diversity Arts Culture / Kulturprojekte Berlin GmbH
Interventionen 2017, Berlin

Camera
Sound Recordist
Editing
Subtitles

Solo work

 

Technically Relational
Essay Documentary 7′
by Caspar Schleicher and Lenna Sophie Fichter
Berlin 2017

Dokumentart 2017
Kannibal Fest 2017
transmediale / CTM Vorspiel 2018

Sound Mix
Foley Artist
Sound Design

Unsere Großmutter war im KZ
Documentary 7′
by Hanna Prenzel, Caspar Schleicher, Janis Westphal und Constanze Wolpers
Fluter.de
Berlin 2018

Sound Mix
Sound Design
Subtitles

Cuisine Mondiale
Fiction 14’11”
by Steve Kamdeu
filmArche e.V., Berlin 2018

Festival Rencontres du Film Court Edition XIV 2019, Madagascar

Sound Mix
Sound Design
Foley Artist

Half a Chicken from the Heavens
Documentary 53 min.
by Mireia Guzmán Sanjaume
Berlin 2017

Sound Mix
Sound Design

 

WhARTever Should Happen – Eine Welt auf dem Kopf
Documentation and Teaser
Dance performance by Alexander Carrillo
Berlin 2016

Camera
Sound Recordist
Editing

Solo work

 

Artist Talk with Jace Clayton
Event Documentation
ifa Gallery
Berlin 2018

Camera
Sound Recordist
Editing

Solo work

 

THE CORE.
Fashion Design / Performance Teaser
by Irene Joa
Berlin 2016

Editing
Sound Editing